Get all 54 VHOD releases available on Bandcamp and save 85%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of DAWN OF ARZIR - Riff Tapes Vol. 3, TRANSIR - The Valley Of The Teeth, EDIFICE - Sleepsphere, DAWN OF ARZIR - Riff Tapes Vol. 2, EDIFICE - Volume Of Absurdity, DAWN OF ARZIR - Riff Tapes Vol. 1, TCHOT - The Callous Heart Of Time, Too Late For Fate, and 46 more.
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The Mouths of the Earth
09:33
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Sentinaar
11:19
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The Sapphire Hell
13:41
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If you like VHOD, you may also like:
Contagiuum and the Landscapes of Failure
by Subterranean Disposition
supported by 5 fans who also own “TRANSIR - The Sentinaar”
Metal with a sax and a violin is always a beautiful listen. The vocals are powerful. Good production. Great album overall.
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The Tower of the Morbid (Death Metal)
by PAGANIZER (Sweden)
supported by 5 fans who also own “TRANSIR - The Sentinaar”
hella obnoxious kickass death metal that really just speaks for itself!
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Subarctic Nocturnes: Doomed to Be [Volume I - MMXV]
by Hypnotic Dirge Records
supported by 4 fans who also own “TRANSIR - The Sentinaar”
(doom & related genres / 2015 comp. / World // )
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Éons
by NEPTUNIAN MAXIMALISM
The Belgian band explore heavy psych, tribal rhythms, free-jazz freakouts, meditative drone and the vast, shadowy spaces in between.
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Wolf
by Krallice
New York City's black-metal luminaries trade astral ambition for brutalist rage on this cacophonous, consistently-intense surprise EP.
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Infamata
by SHEIDIM
At just 27 minutes, there's an onslaught of shred in this tumultuous blend of death metal and black metal from Italy.
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Le Passage des Glaciers
by Norilsk
supported by 4 fans who also own “TRANSIR - The Sentinaar”
The death vocals on this album are some of the best of this style that I’ve heard. The music seems more influenced by older metal styles than current death-doom, even the blackened aspect, which is actually very compelling once you get past genre expectations. This record snuck up on me the same way the last one did, and left me ultimately quite impressed. The last half of the album is the strongest, which is rare in my experience. Mort’s solo is great stuff.
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